"The short film I’ve made with the Guardian stars my son, Toma, aged four years and five months. That’s a little scary for me to write, since, up until this moment, my husband, Avi, and I have been pretty careful about protecting him from public exposure. No matter how damn cute we think he’s being, absolutely no tweeting is allowed.
So I want to explain how I decided to introduce him to you in this very public way.
For the past eight years, I have been writing and speaking about climate change pretty much around the clock. I use all the communication tools I can — books, articles, feature documentary, photographs, lectures.
Yet I still struggle with a nagging feeling that I’m not doing justice to the enormous stakes of this threat. The safety and habitability of our shared home is intensely emotional terrain, triggering perfectly rational feelings of loss, fear and grief. Yet climate discourse is usually pretty clinical, weighed down with statistics and policy jargon.
All that information is important, of course. But I have started to worry that, by being so calm and clinical, we may be tacitly sending the message that this isn’t really an existential emergency after all. If it were, wouldn’t the people raising the alarm sound more … alarmed? Wouldn’t we share more of our own emotions?